What is art, if not a depiction of tension--of merged dualities. Scholarship and esthetics; the inner and the outer self: the masculine and the feminine, the light and the dark? These are the underlying themes in my work. For fifty years, I have exhibited my work nationally and internationally as a professional printmaker, bookbinder, painter and hand paper maker. I have created monumental site installations exploring our relationship with the environment, and delved into the collective unconscious of our culture. Communicating with the universe in such "big" ways, these site specific projects have changed lives, and fostered new ideas in their viewers as well as in their maker. The process of imaginative expression is central to my work. With process as my muse, I explore daily life, motherhood, sexuality, aging and our human relationship to the Earth in my varied series. Find textures, layers of marks and vivid hues in my studio watercolors and oils; notice the variety of techniques I use to make monoprints; rejoice with me in the landscape’s beauty in my pleine-aire pieces. My work is a magical personal vision of our world. For twenty years, I taught art, humanities and mathematics. The focus of my scholarship was mythology dating as far back as the Anatolian Neolithic. My teaching responsibilities have extended from the Mythological Studies Department at Pacifica Graduate Institute to the Women's Studies Department at the University of Missouri St. Louis, and the Mathematics Department at St. Louis Community College. I have lived, taught and made art in Florence, Italy; Brno, Czech Republic; and Catalhoyuk, Turkey, and have presented numerous papers, lectures and workshops at international conferences. Now retired from my academic career, making art is once again my full time occupation. Just for fun, I recently wrote, illustrated and published a children's book, The Amazing Adventures of Radish Toe.
July 9 - August 15, 2021 Opening Thursday, July 8th, 2021
Artists in the Paper Boats Portfolio:
Florence Alfano McEwin, Mary Sherwood Brock, Lise R Drost, Aunna Escobedo, Beth Fein, April Flanders, Sherry Jankiewicz, Gesine Janzen, Irena Keckes, Catherine Kernan, Carolyn Liesy, Hilary Lorenz, Martyna Matusiak, Kerry McAleer-Keeler, Stephanie Mercado, Bill Pangburn, Jennifer Anderson Printz, Mumu Wang, Cathy Weiss and the artists of Mono Grafico Colectivo, including Marianne Sadowski, Kay Brown, Nguyen Ly, Don Newton, Beth Peterson, and Victor Rosas.
The Paper Boats Portfolio was sponsored by Los Angeles Printmaking as part of the 2020 SGCI conference that has now been re-scheduled for the 2023 SGCI in San Juan, Puerto Rico, with a stop visiting the Scuola Internazionale di Grafica, Venice, Italy in May, 2022.
All LA Printmaking members, both students and artist members, may join the Paper Boat Flotilla going to Venice in 2022! Stay tuned for the CALL for ART coming in August 2021.
Exquisite Corpse is a collaborative approach to making Art first used by the Surrealists to create bizarre and intuitive writing and drawing. The LA Printmaking membership, both Student and Artist members, are invited to get creative and collaborate in this project this summer!
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!