May Roded, Monstera Study, Reduction Lino, 2018

May Roded

www.mayroded.com

May’s  imagery comes from her personal collection of 35mm photographs or family albums to reinterpret memories in traditional methods. Her most recent work focuses on plant and flower based incorporated imagery with a hidden theme of memory.

Individuals’ lives are built through their personal experiences and associations compiled within their memories and every day life. May seeks to explore these memories through means of interpreting thoughts onto paper with printmaking techniques.

Born in Canton, Ohio; Lives and works in Los Angeles, CaliforniaLinda Lyke, a L.A. artist and Professor of Art at Occidental College, is known for her printmaking, multicolored abstract monotypes and mixed media work. Linda has shown in fifteen one-person exhibits and 80 national print and drawing exhibitions. Linda’s work explores two distinct artistic directions; one which investigates the intuitive process of abstraction and the other which references the destructive beauty in nature.
Growing up in Chicago, Illinois, creativity was part of everyday life.  I have vivid  memories of asking my father to draw Mickey Mouse, or another Disney character--or anything else at all.  He was a natural artist albeit a colorblind one.  I like to think that I inherited my artistic talent from him.  Throughout childhood I was always drawing pictures, coloring, or making paper dolls.  In elementary school, my favorite assignments were the ones that included creating illustrations.  High school art introduced me to a wide array of processes: silk screen, linoleum printmaking, soap carving and copper enameling in addition to the usual drawing and painting.   In college I took classes in etching and ceramics but it was woodblock printing that captured my attention and the media to which I have devoted my talents.I am fortunate to have been able to combine my printmaking skills with an interest in costumes and textiles.  A graduate degree in European costume history combined with museum experience in non-western clothing provided me a worldwide view of the history of dress.  Recent travel to Japan has influenced my most recent prints.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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