Ruth Weisberg works primarily in painting, drawing, printmaking and large-scale installations. Artist and professor, she is the former Dean of Fine Arts at the University of Southern California since 1995. Ruth Weisberg is represented by Jack Rutberg Fine Arts in Los Angeles. Weisberg is well known for her paintings reflecting upon the cycle of life; the continuity of generations. The artist also has long held interests in preservation, extinction and survival. Since her arrival in Los Angeles in 1969, Ruth Weisberg has been a formidable influence and mentor to decades of artists in this city and beyond. Her first major survey in Los Angeles was in 1979 at the Los Angeles Municipal Art Gallery. She was the first artist exhibited at The Women’s Building (Judy Chicago was simultaneously presented with a solo exhibition to inaugurate that venue). With more than 80 solo exhibitions and nearly 200 group exhibitions internationally, Weisberg is the first living painter to have been afforded a solo exhibition at the Norton Simon Museum of Art in 2008-2009. Weisberg also holds that distinction at The Huntington Library. Ruth Weisberg has executed many ambitious large-scale works, including the 94-foot mixed-media painting “The Scroll,” which was exhibited at the Skirball Cultural Center. She painted the 29-foot mural “New Beginnings: One Hundred Years of Jewish Immigration” as part of a commission from the UJA Federation. The mural was installed in the headquarters’ entrance in New York City. Ruth Weisberg’s work is included in the permanent collections of over 60 museums, including the Metropolitan Museum, National Gallery of Art in Washington, D.C., Whitney Museum of American Art, Portland Art Museum, Los Angeles County Museum of Art, Getty Research Institute, Norton Simon Museum, Art Institute of Chicago, Detroit Institute of Arts, Biblioteque Nationale in Paris, and the Instituto Nationale per la Grafica in Rome, among many others.
"Art" doesn't literally speak, but instead it can be "a way" of communicating with color, texture, sound and shape. In my artwork, I am careful to remember movement, joy, and mystery, to make viewers feel happy and think about the meaning of my art. I think that expressing how you enjoyed creating is one of the biggest keys to making artwork successful.Each technique of Printmaking has its own distinct character:Silkscreen is a great technique for detailed graphic lines.Etching techniques make pen-drawing prints and different shades or tones.Lithography is a perfect technique to print exactly how you draw.Monotype is a fun technique to create unique prints with brush strokes.My goal is to create prints that have many unique "flavors" within each edition, so viewers can choose the style that fits their tastes.
Renee Amitai graduated from l'Ecole des Beaux Arts de Paris, France and gained professional experiences in design and architecture in France, Israel, Italy and America.Her artistic interest evolves from printmaking to painting, back and forth.She moved to the United States in 1984, taught printmaking, painting and architectureIn San Antonio, Texas and in Los Angeles, California
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!