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LA Printmaking (LAPS) is a national non-profit artist run organization based in Los Angeles, California. We are dedicated to the encouragement of printmaking, the interests of artists who make prints, and the general advancement of printmaking in public awareness and education.

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Folded Paper Boat by Florence Alfano McEwin

Paper Boats Portfolio at the Museum of Art, Fort Collins

July 9, 2021

"Paper Boats Portfolio"

Museum of Art Fort Collins
Colorado 201 S. College Ave. Fort Collins, CO 80524

July 9 - August 15, 2021
Opening Thursday, July 8th, 2021

Artists in the Paper Boats Portfolio:

Florence Alfano McEwin, Mary Sherwood Brock, Lise R Drost, Aunna Escobedo, Beth Fein, April Flanders, Sherry Jankiewicz, Gesine Janzen, ...

Exquisite Corpse

Exquisite Corpse: A Special Summer Membership "Call for Art"

July 6, 2021

Exquisite Corpse is a collaborative approach to making Art first used by the Surrealists to create bizarre and intuitive writing and drawing. The LA Printmaking membership, both Student and Artist members, are invited to get creative and collaborate in this project this summer!

International Printing Museum
August 4th ...

ImMigration Project_Venice
Jan. 11, 2020
ImMigration Project at Self Help GraphicsSaturday, January 11th to February 22nd, 2020Opening Reception, January 11th, 7PM - 9PMJoin us February 1st, 2020 from 1PM-3PMFor or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art”  withPavel Acevedo, Marianne Sadowski and Phumilelele TshabalalaIncluded in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!Here is a short video clip of the first installation of ImMigration at the 2019 SGCI. This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!
What is art, if not a depiction of tension--of merged dualities. Scholarship and esthetics; the inner and the outer self: the masculine and the feminine, the light and the dark? These are the underlying themes in my work.  For fifty years, I have exhibited my work nationally and internationally as a professional printmaker, bookbinder, painter and hand paper maker. I have created monumental site installations exploring our relationship with the environment, and delved into the collective unconscious of our culture. Communicating with the universe in such "big" ways, these site specific projects have changed lives, and fostered new ideas in their viewers as well as in their maker. The process of imaginative expression is central to my work. With process as my muse, I explore daily life, motherhood, sexuality, aging and our human relationship to the Earth in my varied series. Find textures, layers of marks and vivid hues in my studio watercolors and oils; notice the variety of techniques I use to make monoprints; rejoice with me in the landscape’s beauty in my pleine-aire pieces. My work is a magical personal vision of our world. For twenty years, I taught art, humanities and mathematics. The focus of my scholarship was mythology dating as far back as the Anatolian Neolithic. My teaching responsibilities have extended from the Mythological Studies Department at Pacifica Graduate Institute to the Women's Studies Department at the University of Missouri St. Louis, and the Mathematics Department at St. Louis Community College. I have lived, taught and made art in Florence, Italy; Brno, Czech Republic; and Catalhoyuk, Turkey, and have presented numerous papers, lectures and workshops at international conferences. Now retired from my academic career, making art is once again my full time occupation. Just for fun, I recently wrote, illustrated and published a children's book, The Amazing Adventures of Radish Toe.
In her studio practice, Jennifer Anderson Printz gravitates towards labor- and time-intensive processes from intricate graphite drawings to making thousands of small delicate cuts in paper with an X-acto knive. The artist’s touch is extremely important to her as it creates an intrinsic presence within her work reflecting a fragility of memory and the phenomena of meaning. Her work has been exhibited in solo and group exhibitions across the United States and abroad and has been included in publications as diverse as Tricycle and The Carolina Quarterly. Her project have also included  massive mural for the Taubman Museum of Art titled Resolute Understanding of Fragile Things.
I want my paintings to speak for themselves. I look for a certain power and simplicity in my work, images that work at a gut level which also invite a wry, humorous look at life. I like to challenge bland emotions and poke fun at sacred cows.The roots of my work are in expressionism; my influences are from everywhere: a childhood in West Africa, French political posters of May 1968, Topolski’s sketchbooks, Munakata’s woodcuts. I also admire Chinese brush painting with its object of capturing a single Zen moment in a few simple brush strokes.My themes are grounded in everyday life, in my experience of life as a woman. As an artist I like to work within the traditions of art and history, at the same time to play with its icons and stretch its boundaries. My subjects are landscapes and people, animals and flowers, dancers and musicians, a celebration of life.Art for me is not only about life but a way of adding to it, exploring it. I think with my brush. I think about the marks I make. I want to blow fresh air into established ways of looking at life and constantly to redefine myself and my relationship to the traditions of art.
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