The content of my work is inspired by the relevance of cross cultural and historical story and myth and how it is relevant in today’s world. I’m interested in how we rely on these stories to make sense of our lives and the light in which we view the world’s problems. As I research elements that find their way into my work what holds my interest is how they are timeless ideas that are also universal. I aspire to push the boundaries of my medium. Woodcut is a constant element in my work, as I love the carving, feel and expressive quality of the wood. It is a connection to the earth and to the history of communication. Each new block carries forth from the blocks before but something new is added to the story, marking my woodblock figures in the way we tattoo our bodies.
Sylvia Solochek Walters received her undergraduate degrees in art and her MFA from the University of Wisconsin-Madison. Her woodcuts have been shown in numerous national/international exhibitions and have won many awards – including Honors in 2014 for Tradition in Printmaking from the Southern Graphics Council International at their annual conference in San Francisco. Her prints are held in the collections of the Milwaukee, St. Louis, Oakland and Chazen Art Museums, the Milwaukee and Judah Magnes Museums of Jewish Art, the San Francisco Fine Arts Museums Achenbach Graphic Arts Foundation Collection, the Library of Congress, the New York Public Library and the Museum of Texas Tech University among others. She is currently represented by the Kala Art Institute Gallery in Berkeley and the Annex Galleries, Santa Rosa, California.Walters began teaching in 1963 and subsequently taught relief printmaking, drawing, painting, and related courses at large and small, public and private colleges, art schools and universities in different parts of the country. Eventually, she and her husband, Jim Walters, and their two cats settled in St. Louis, where they both taught at the University of Missouri at St. Louis (UMSL) and where she founded the art department. She became the department's first (and third) Chair as well as its gallery director for 10 years. In 1984, she was invited to become a faculty member and the permanent Chair of the art department at San Francisco State University. With the exception of two years during which time she served as Acting Dean of the College of Creative Arts at SFSU, she remained in that position for twenty years until her working retirement in 2004 after which she taught relief printmaking for five years. Awarded Professor Emerita status in 2009, she currently serves on the Board of the Kala Art Institute. In 2013 she was Assistant Editor (along with editor Maryly Snow) for California Society of Printmakers: One Hundred Years 1913-2013, an award-winning publication produced to celebrate the centennial of the CSP. The book was re-edited and reissued as an e-book in 2015.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!