Blair works in woodcut and etching, using traditional techniques. Her interest lies with mark-making that is in tune with her material - whether it be copper or wood. The woodcuts are typically monoprints. Her vocabulary includes abstraction, small editions, serial presentation, simplificiation, images emergent from process. Her most frequent subjects are weather and the landscape. The 2017 installation "Salamander Parade" included oversize etchings and is her first figurative work.
My collagraph prints,
collages made from collagraphs, combinations of collagraphs and etchings, cut
paper collages and mixed media acrylic paintings all deal with the nature of
abstraction. My work shows influences of many things in the natural world
presented in a non-objective way. I received my BA in Art from Hunter College,
NY and my MFA from the University of North Texas , Denton, TX. I live and work
in Dallas and at my ranch in Bells, TX. I maintain an active exhibition
schedule and fell fortunate to have my work in private and corporate
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!