Raluca Iancu| "Leftovers", 2014 | Stone Litho + Screenprint | 15 x 11 in

Raluca Iancu

http://ralu.ca

Raluca Iancu would like it known that she has never been involved in a horrific crash – that tumble on her bike while riding in Montreal notwithstanding. Nevertheless there’s something about vehicle collisions that she can’t look away from, returning to them as inspiration time and again.

Born in Washington, D.C., currently residing in Los Angeles, and living no less than a dozen places in between, nif considers ideas on phenomenology, time, memory and a ‘sense of place’ through drawing, printmaking, binding structures, and words.  She received her MFA from San Francisco State University, is a recipient of the Murphy, Cadogan & Phelan Fellowship, and is an artist-in-residence at Kala Art Institute in Berkeley.  She publishes artists books, ephemera, and collaborations under the imprint Subtext Press, to examine how we perceive space, duration, what may be overlooked, and what doesn’t need to be said.
Joseph Vorgity is a contemporary realist watercolorist and printmaker. His still life, landscape, and figurative subject matter are recongnized by strong flat areas of color with sharp lines to delineate shapes. Some themes are narrative, others have a surreal quality while many are created primarily for their beauty and visual impact.  Some of the figurative pieces are modeled after traditional religious pictures of saints and deities while others are related to figures in Japanese woodblock prints of the early 20th century. His strongest influences come from the American Precisionist Movement, the Arts and Craft Movement, and from Japonisme.    A majority of Vorgity's woodblock prints are made in the Provincetown white line style. Multi-color prints are pulled from one matrix block with a white line separating each color shape. The prints area hand rendered with watercolor giving them the visual quality of paintings.  Each white line print has an anticipated edition of 50. Vorgity was introduced to the method in 1982 by Ferol Sibley Warthen, a major proponent of the technique in Provincetown.    Joseph also produces traditional limited edition multi-color woodblock prints, and Japanese moku hanga woodblock prints. He studied the Japanese technique with Takuji Hamanaka, Matthew Brown, and William Paden.     Having first studied advertising and illustration in his home town of Philadelphia, Vorgity moved to New York City in 1978 to attend the painting program at the School of Visual Arts. Don Nice, Don Eddy, and Elizabeth Murray were influential teachers. He holds a BFA from the School of Visual Arts and later received a Master's Degree from Fordham University. Joseph was an educator on the elementary and secondary levels for 18 years. He has also worked for the wardrobe departments of Broadway and Opera productions. He was featured in an article about his woodblock prints in the October 1999 issue of American Artist Magazine. 
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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