The journey to realizing my greatest desire to become a full time artist has not followed a straight path. A degree in art history from California State University Los Angeles led to a second degree in nursing. Though nursing became my day job, I never stopped nurturing my inner artist with classes in oil painting, mixed media and interior design.Creating art and teaching art is what I always wanted to do. I became a docent at both the Phoenix Heard Museum and the Phoenix Art Museum. I continued to study oil painting at the Scottsdale Art School and Botanical Illustration at the Phoenix Botanical Garden.Upon my return to California, I became a docent at the Santa Barbara Museum of Art and given the privilege of time, I am now a full time artist. I furthered my art and printmaking studies at the SBCC ‘s CLL. Under the guidance of my mentor, R. Anthony (Tony) Askew, Professor Emeritus of Art at Westmont College, my art career became a reality. In 2014 I studied “Traditional Etching Techniques” at Crown Point Press in San Francisco and further developed my printmaking techniques with Master Printmaker Michael McCabe in Santa Fe, New Mexico. I participated in workshops with Susan Tibbles, Lennox Dunbar, Professor Emeritus of Aberdeen University in Scotland, and Master Printmaker Ron Pokrasso of Santa Fe, New Mexico.I have been juried into several shows and have collectors as far reaching as Germany, China, and Switzerland.
Bob began his career during the
burgeoning of the print workshops in 1970. He worked at Impressions Workshop in
Boston and at the Printshop in Amsterdam Netherlands. He earned a B.F.A. from
University of Massachusetts and M.F.A. from Syracuse University. A faculty member at the Fine Arts Work Center
in Provincetown, Mass. and member of The Boston Printmakers since 1986, his
lithographs are included in collections here and abroad. In 2009 he was the
co-winner of The Dayton Peace Museums International Peace Prize for The Arts. He
participated in the London Liberal Arts College, "Year of Subversion
Exhibition” in 2013. His essays have appeared in the Print Alliance
Journal,"Prints and Politics", Visual Overture Magazine, and the
Bangalore Review. Other writing has appeared in Literal Minded, Orange Alert,
Shine Journal, Askew Reviews, Glossolalia, Creative Writing Now, Blinking
Cursor, Bap Q, Lunarosity, Icelandic Review, Writers Billboard, First Writers
Magazine, Milspeak, Subterranean Journal, South Jersey Underground, Cavalier
Magazine, Yellow Mama, Visual Overture, Vox Poetica, Ascent Aspirations
Magazine, The Red Fez, Forum Magazine, and Spilling Ink Anthology.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe! This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!