Eucalyptus Plant

Mina Tang Kan

www.minatangkan.com
Mina Tang Kan was born in Shanghai, China and graduated from Vassar College and after working in New York City art galleries, received a Master of Arts in Printmaking from CSULB, in Long Beach, California, where she served on the faculty.of that college and later at El Camino College, Golden West College and at the Palos Verdes Art Center. She is a Past President of the Los Angeles Printmaking Society and former Gallery Director of the Huachuca Art Association. Her art work, which includes oil and acrylic paintings, watercolors, woodcuts, etchings, photo-etchings, silk screens, and monoprints, has been exhibited in Los Angeles, Paris, London, Hawaii, Korea and Arizona, and included in many private and corporate art collections. She has resided in Arizona since 1995 and in 1999 was honored as Artist of the Year in Sierra Vista. Currently she is also the director of the Tang Gallery, 32 Main Street, in Bisbee, Arizona.

Sylvia Solochek Walters received her undergraduate degrees in art and her MFA from the University of Wisconsin-Madison. Her woodcuts have been shown in numerous national/international exhibitions and have won many awards – including Honors in 2014 for Tradition in Printmaking from the Southern Graphics Council International at their annual conference in San Francisco. Her prints are held in the collections of the Milwaukee, St. Louis, Oakland and Chazen Art Museums, the Milwaukee and Judah Magnes Museums of Jewish Art, the San Francisco Fine Arts Museums Achenbach Graphic Arts Foundation Collection, the Library of Congress, the New York Public Library and the Museum of Texas Tech University among others. She is currently represented by the Kala Art Institute Gallery in Berkeley and the Annex Galleries, Santa Rosa, California.Walters began teaching in 1963 and subsequently taught relief printmaking, drawing, painting, and related courses at large and small, public and private colleges, art schools and universities in different parts of the country. Eventually, she and her husband, Jim Walters, and their two cats settled in St. Louis, where they both taught at the University of Missouri at St. Louis (UMSL) and where she founded the art department. She became the department's first (and third) Chair as well as its gallery director for 10 years. In 1984, she was invited to become a faculty member and the permanent Chair of the art department at San Francisco State University. With the exception of two years during which time she served as Acting Dean of the College of Creative Arts at SFSU, she remained in that position for twenty years until her working retirement in 2004 after which she taught relief printmaking for five years. Awarded Professor Emerita status in 2009, she currently serves on the Board of the Kala Art Institute. In 2013 she was Assistant Editor (along with editor Maryly Snow) for California Society of Printmakers: One Hundred Years 1913-2013, an award-winning publication produced to celebrate the centennial of the CSP. The book was re-edited and reissued as an e-book in 2015.
"Art" doesn't literally speak, but instead it can be "a way" of communicating with color, texture, sound and shape. In my artwork, I am careful to remember movement, joy, and mystery, to make viewers feel happy and think about the meaning of my art.  I think that expressing how you enjoyed creating is one of the biggest keys to making artwork successful.Each technique of Printmaking has its own distinct character:Silkscreen is a great technique for detailed graphic lines.Etching techniques make pen-drawing prints and different shades or tones.Lithography is a perfect technique to print exactly how you draw.Monotype is a fun technique to create unique prints with brush strokes.My goal is to create prints that have many unique "flavors" within each edition, so viewers can choose the style that fits their tastes.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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