Portrait

Miles Hochhalter Lewis

http://www.mileslewisstudio.com/
I grew up in Los Angeles and continue to work there as a studio artist, teacher, and illustrator. I exhibit locally and internationally. 
I’ve been active in the printmaking community since I began practicing print in 2011, during my undergraduate years at Cal State Northridge. I am currently head of the Valley Print Studio, which I founded in 2013. 

In my own work, I create visual poems about the connection between ideas, bodies, and characters. I do this by emphasizing and reimagining the represented contact point between these things. Whether in print, drawing, or painting, my sensibility as an artist is deeply influenced by the methods and aesthetics of printmaking. For me, composition is a process of drafting, layering, and varying.

Moving through the artistic process intuitively and without conscious thought, Colleen Premer taps into her artistic soul to produce balanced and harmonious compositions. This southern California printmaker is lured by the world of monotype and monoprint for the immediacy of results, but she also lends her creative hand to encaustic painting and intaglio printmaking. Colleen is highly influenced by her artist mother, Elaine Kennedy, who was an acclaimed local painter and printmaker. She was exposed to the art world at an early age through her mother’s circle of friends and the many art shows, exhibitions and gatherings they frequented together. Although Colleen has a journalism degree and an M.S. in clinical psychology, her passion for art kept tugging at her heart. She eventually discovered printmaking at the Idyllwild School of Music and the Arts. Ranging from abstracted shapes to intricate design, Colleen’s body of work takes its inspiration from observed line, shape and color. She often contrasts recognizable elements, like a spinning Ferris wheel, with shadowed spheres and elongated patterns. Her creativity doesn’t stop there! Colleen also works with chine colle, image transfer and printers inks for a multi-layered print that is steeped in meaning. Some of her more recent works have embedded excerpts of letters written by Colleen’s mother, creating timeless memories. Always pushing herself to solve a problem from a different angle, Colleen’s work reinvents the familiar to present it in a new and unusual way. Her recent Tattoo Truck linocut relief print boldly presents the cab of a big rig head on. With careful control, Colleen has carved and outlined tattooed flames licking the outer shell of the cab. Rougher cuts add dimension within the image’s background. Colleen’s inspiration largely is drawn from her attraction to the clean lines and human-like features of cars and trucks. Additionally, the methods and history of Japanese printmaking and artistry (including the culture’s unique take on tattoos) intrigue Colleen. The result is extraordinary! Ever changing, always experimenting, creating beauty out of the mundane, Colleen surprises us with a greater level of sophistication every time we see her newest works. And, we would love to share them with you!
In his graphic work, Endi Poskovic invokes influences as disparate as early cinema, classic Japanese woodcut prints, devotional pictures, and Eastern European propaganda posters. By combining visual representation with text, Poskovic shifts the reading of the image by providing a new context for the viewer to continually reinterpret. Reminiscent of youthful whimsy and playful fantasy, the unsettling juxtapositions and invented constructions in Poskovic’s prints convey a sense of the habitual, like a window into the everyday reality of a different world. The hybridized narratives of toy-like objects and fantastic landscapes in Poskovic’s work imply stories from personal and social histories, referencing themes of displacement, shifting cultural identity, environmental transformation, migration, and alienation—all of which are presented in images that are as tragic as they are magnificent.Endi Poskovic was born in Sarajevo, Bosnia and Herzegovina, in1969. From an early age he studied music and art, which eventually led to performances of traditional music and songs of the Balkans at festivals throughout Europe and the Middle East. Poskovic completed his B.F.A. at the University of Sarajevo Academy of Fine Arts in 1990. A Minnefindet Scholarship, funded by the Norwegian government, enabled him to live in Norway for a year to study art as well as the Nynorsk language and culture. From Norway, Poskovic moved to the United States to study with Harvey Breverman and Adele Henderson at the State University of New York at Buffalo, where he earned his M.F.A. in 1993.Poskovic has been the recipient of numerous grants and fellowships, most recently from the John D. Rockefeller Foundation Bellagio Study Center in Italy and the Open Studio Centre in Canada. Other notable awards include grants and fellowships from the Pollock-Krasner Foundation, Camargo Foundation in France, MacDowell Colony, Art Matters Foundation, New York State Arts Council, Bemis Center for Contemporary Art, Indiana Arts Commission, Confucius Institute, Durfee Foundation, Flemish Ministry of Culture-Frans Masereel Centrum in Belgium, Weiser Center for Emerging Democracies, McColl Center for Visual Arts, Can Serrat International Art Centre in Spain, Virginia Center for the Creative Arts, Kala Art Institute, Valparaiso Foundation in Spain, and the University of Michigan Center for Japanese Studies.Widely exhibited, Poskovic has presented his prints in some of the most prestigious venues for print media, most recently in the 14th Taipei International Print Biennial, and the 2009 Krakow International Print Triennial. He has also shown work in the Egyptian International Print Triennial, La Biennale Internationale d'Estampe Contemporaine de Trois-Rivières in Canada, Deutsche Internationale Grafik-Triennale in Frechen, Tallinn International Triennial in Estonia, Xylon International Triennale in France, and Ljubljana International Graphic Arts Biennale in Slovenia. Comprehensive surveys of Poskovic’s prints have been organized by the Philadelphia Print Center in 2001, the Des Moines Art Center in 2006, the Bemis Center for Contemporary Art in 2007, and again in 2008 by the Frans Masereel Museum in Belgium—which traveled to Stad Leuven Academie en Conservatorium and Atelier Vrije Grafiek, Academie voor Beeldende Kunst-Ghent.Works by Endi Poskovic are in many permanent collections, including the Philadelphia Museum of Art, the Royal Antwerp Museum of Fine Arts, Centre National des Arts Plastiques in Cairo, the Fogg Art Museum—Harvard University, National Taiwan Museum of Fine Arts, New Orleans Museum of Art, Orange County Museum of Art in California, the Kennedy Museum of American Art, the University of Iowa Museum of Art, Des Moines Art Center, Seattle Arts Commission, The Krakow International Print Triennial Society Museum of Art, Tampa Museum of Fine Arts, Vaasa Ostrobothnian Museum in Finland, and the Musée d'Art Contemporain Fernet Branca-Saint-Louis in France.Poskovic is a Professor at the University of Michigan School of Art and Design, as well as at the University of Michigan Center for Russian, East European, and Eurasian Studies.Poskovic’s current series of lithographic prints and animations are a roman à clef reminiscing Mostar, a city with several distinct ethnic communities in Southern Bosnia and Herzegovina. Through faith in the process of drawing, the series offers a personal tale of displacement and discovery.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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