My collagraph prints,
collages made from collagraphs, combinations of collagraphs and etchings, cut
paper collages and mixed media acrylic paintings all deal with the nature of
abstraction. My work shows influences of many things in the natural world
presented in a non-objective way. I received my BA in Art from Hunter College,
NY and my MFA from the University of North Texas , Denton, TX. I live and work
in Dallas and at my ranch in Bells, TX. I maintain an active exhibition
schedule and fell fortunate to have my work in private and corporate
Raised in the open ranch land of Northern New Mexico, Leon developed an affinity for the Southwestern landscape. He was greatly influenced by his grandmother’s involvement in Northern New Mexico art circles. Later study at the Colorado Institute of Art along with private study reinforced his abilities. Stationed in Germany while in the army, he was able to travel extensively throughout Europe, visiting museums and maintaining sketching journals. In addition, he studied painting techniques of the old masters for two years, finishing by copying a Franz Hals at the Stuttgart Stattsgalerie Art Museum. Long having an interest in pen and ink, etching took on a special meaning from the museum’s collection of etchings.On his return to Colorado, Leon began to study the intaglio techniques and selling the prints in mountain galleries. In 1998, Leon purchased his first letterpress and received immediate success with the woodblock prints he produced. The layering of color in the woodblock process allowed him to better capture the atmospheric qualities of the Southwestern Landscape that have such a strong meaning for him.Leon has continued to develop his printmaking skills and currently owns a publishing company, producing his Reduction Style Woodblocks as well as limited edition books. His woodblocks are exhibited nationally and collected by numerous museums. He and his wife also own a gilding studio, producing and restoring hand carved gold leaf frames for museums and collectors.
July 9 - August 15, 2021 Opening Thursday, July 8th, 2021
Artists in the Paper Boats Portfolio:
Florence Alfano McEwin, Mary Sherwood Brock, Lise R Drost, Aunna Escobedo, Beth Fein, April Flanders, Sherry Jankiewicz, Gesine Janzen, Irena Keckes, Catherine Kernan, Carolyn Liesy, Hilary Lorenz, Martyna Matusiak, Kerry McAleer-Keeler, Stephanie Mercado, Bill Pangburn, Jennifer Anderson Printz, Mumu Wang, Cathy Weiss and the artists of Mono Grafico Colectivo, including Marianne Sadowski, Kay Brown, Nguyen Ly, Don Newton, Beth Peterson, and Victor Rosas.
The Paper Boats Portfolio was sponsored by Los Angeles Printmaking as part of the 2020 SGCI conference that has now been re-scheduled for the 2023 SGCI in San Juan, Puerto Rico, with a stop visiting the Scuola Internazionale di Grafica, Venice, Italy in May, 2022.
All LA Printmaking members, both students and artist members, may join the Paper Boat Flotilla going to Venice in 2022! Stay tuned for the CALL for ART coming in August 2021.
Exquisite Corpse is a collaborative approach to making Art first used by the Surrealists to create bizarre and intuitive writing and drawing. The LA Printmaking membership, both Student and Artist members, are invited to get creative and collaborate in this project this summer!
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!