Sherwood Brock, "home"

Mary Sherwood Brock

studiosherwood.com

Mary Sherwood Brock was born in Washington, DC and attended the Boston Museum School and Tufts University graduating with a BFA in 1978. In 1990, she moved to Los Angeles and graduated with an MFA in painting from UCLA in 1992.

She has been awarded two traveling scholarships, a Visual Artist Fellowship from the NEA, a Printmaking Fellowship and Painting award from the Artist Foundation of Massachusetts and UCLA Graduate award. She was a founding partner of the Artist Proof Cooperative Print Studio in Cambridge MA, which was honored for it’s contribution to the painterly print by the Boston Public Library in 2000 with an exhibition and catalog; “Proof in Print; a Community of Printmaking Studios”.

She has exhibited her painting and prints in numerous international and national exhibitions focusing on printmaking since 1980. In recent years she has curated exhibitions researching the history of printmaking in Los Angeles. “Connections; LA Printmaking 1962-1973” at the Los Angeles Municipal Art Gallery as part of the LA Printmaking Society’s 20th National in 2010 and brought together 34 significant works from artists who came to prominence in LA in the 1960’s. In 2013, “Leonard Edmondson” she curated and wrote the catalog for a retrospective of the paintings and prints of this influential teaching artist at CSUN Art Gallery. In 2014 at the LA Print Space “the press is my paintbrush” presented work from two master print shops, both artists in their own right; John Greco of Josephine Press and Francesco Siqueiros of El Nopal Press.

She has taught printmaking at the Boston Museum School, Otis College of Art and Design and Loyola Marymount University and continues her research on the impact of printmaking as an art form for the LA Printmaking Society.

studiosherwood.com

I want my paintings to speak for themselves. I look for a certain power and simplicity in my work, images that work at a gut level which also invite a wry, humorous look at life. I like to challenge bland emotions and poke fun at sacred cows.The roots of my work are in expressionism; my influences are from everywhere: a childhood in West Africa, French political posters of May 1968, Topolski’s sketchbooks, Munakata’s woodcuts. I also admire Chinese brush painting with its object of capturing a single Zen moment in a few simple brush strokes.My themes are grounded in everyday life, in my experience of life as a woman. As an artist I like to work within the traditions of art and history, at the same time to play with its icons and stretch its boundaries. My subjects are landscapes and people, animals and flowers, dancers and musicians, a celebration of life.Art for me is not only about life but a way of adding to it, exploring it. I think with my brush. I think about the marks I make. I want to blow fresh air into established ways of looking at life and constantly to redefine myself and my relationship to the traditions of art.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.


The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!
This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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