Lorna Turner

Lorna Turner

www.lornaturner.com
Lorna Turner is a practicing artist, graphic designer and educator. 

Since graduating from the Royal College of Art in 2005, where she received her Masters in Communication Art and Design, Lorna has been collaborating in multidisciplinary design environments, from print to web to dimensional spaces. Working with start ups to established firms, Lorna offer the broad scope of marketing materials for each client and each scale of needs.

While at the RCA, Lorna organized the lecture series "It's A Man's World?" featuring dynamic female designers, architects, illustrators and theorist. Topics of discussion ranged from their ways of practicing to 'what was their biggest mistake'. In 2004, she designed the winning graphic identity for the Qatar National Museum. In that same year she collaborated with Tom Lucas to design an anti-fur campaign for the Respect for Animals Foundation. They were awarded 'Special Commendation' by the Design Against Fur jury. Her letterpress print illustrations "Blue Red Black" was featured on a cover of Design Week in support of a gallery exhibition.

Born in Washington, D.C., currently residing in Los Angeles, and living no less than a dozen places in between, nif considers ideas on phenomenology, time, memory and a ‘sense of place’ through drawing, printmaking, binding structures, and words.  She received her MFA from San Francisco State University, is a recipient of the Murphy, Cadogan & Phelan Fellowship, and is an artist-in-residence at Kala Art Institute in Berkeley.  She publishes artists books, ephemera, and collaborations under the imprint Subtext Press, to examine how we perceive space, duration, what may be overlooked, and what doesn’t need to be said.
Born in Redlands, California, Karen is a painter and printmaker who has worked in Los Angeles since l959. Educated at Stanford (BA 1957), Otis (MFA 1959), and UCLA (Painting 1960), her early exhibitions include “Directorʼs Choice” at the Pasadena Art Museum, selected by Thomas Leavitt; “LA and Vicinity,” Los Angeles County Museum of Art; “Current Concerns” at LAICA, curated by Walter Hopps; “Imagination” at LAICA, curated by Llyn Foulkes; “Assemblage and Collage” at LAICA, curated by Hal Glicksman; Grandview Gallery at the Womenʼs Building and “Expo/International” at the Museo del Inah, Oaxaca, Mexico. She has exhibited at the LouWe Gallery, The Brand Library, Boston University, Cal Tech, Cal State Luckman Fine Arts Gallery, Cal Poly Pomona, UC Davis, The Berkeley Art Center, Occidental College, The LA Municipal Art Gallery, The Armory Center for the Arts, the Platt Gallery, San Luis Obispo Museum of Art, and many others. In Spring of 2012, she exhibited monotypes with Linda Lyke in a two person exhibit at Century Books, Pasadena, CA. From l977 to 1997 Karen was Artist-in-Residence (CA Arts Council) and Faculty at Pacific Oaks College where she created the Childrenʼs Art Studio, a multidisciplinary teaching studio for 200 children and student-teachers. Over the years, Karen initiated and developed art programs on several campuses, including Westridge School, and Pasadena Alternative School. Among the art spaces she created, “The Art Studio” at Pacific Oaks is documented in Design Over Time (Stine 1994). Karen was included in the 2010 encyclopedia, L.A. Rising: SoCal Art before1980 (Kienholz 2010). 
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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