In my early life I always painted. My parents let me paint huge murals on our walls and I did several murals for the community but did not think of it as a career. I went to San Francisco State University where I studied Dance, psychology and Science with a focused on the human body in movement. After three years in college I got a summer job as an actress in The Sound of Music. That lead to a few years exploring what life would be like as an actress. All the while I painted as a way to center myself and I had a few exhibitions of my paintings. By 24 I turned all of my attention to art making and moved to the art haven of Santa Fe New Mexico. It was there that my life as an artist was launched. My skills as a visual artist were honed with the help of that supportive art community. Working from my studio in Santa Fe I made paintings that were exhibited all over the US and Europe. In 1997 I moved to Seattle for 14 years. The landscape of the Pacific Nothrwest impressed called to me. Inspired by Japanese artist Katsushika Hokusai and his 36 views of Mount Fuji, I created 36 Views of Mount Rainier in the medium of Hokusai, wood block printing.The loss of my father to Leukemia and my mother to Alzheimer’s fundamentally changed my artistic direction. I had previously always expressed my self by making images I turned my focus to writing a book. I worked through my grief as I wrote about my creavtive, loving and artistic family.The process helped me understand how they had always supported me and my development as an artist. After the book launch in 2016 I moved to Alexandria, Virginia and became a member of Printmakers Inc at the Torpedo Factory. As fortune would have it that I have found another wonderful supportive artistic community that has embraced me as I return to print making.
In his graphic work, Endi Poskovic invokes influences as disparate as early cinema, classic Japanese woodcut prints, devotional pictures, and Eastern European propaganda posters. By combining visual representation with text, Poskovic shifts the reading of the image by providing a new context for the viewer to continually reinterpret. Reminiscent of youthful whimsy and playful fantasy, the unsettling juxtapositions and invented constructions in Poskovic’s prints convey a sense of the habitual, like a window into the everyday reality of a different world. The hybridized narratives of toy-like objects and fantastic landscapes in Poskovic’s work imply stories from personal and social histories, referencing themes of displacement, shifting cultural identity, environmental transformation, migration, and alienation—all of which are presented in images that are as tragic as they are magnificent.Endi Poskovic was born in Sarajevo, Bosnia and Herzegovina, in1969. From an early age he studied music and art, which eventually led to performances of traditional music and songs of the Balkans at festivals throughout Europe and the Middle East. Poskovic completed his B.F.A. at the University of Sarajevo Academy of Fine Arts in 1990. A Minnefindet Scholarship, funded by the Norwegian government, enabled him to live in Norway for a year to study art as well as the Nynorsk language and culture. From Norway, Poskovic moved to the United States to study with Harvey Breverman and Adele Henderson at the State University of New York at Buffalo, where he earned his M.F.A. in 1993.Poskovic has been the recipient of numerous grants and fellowships, most recently from the John D. Rockefeller Foundation Bellagio Study Center in Italy and the Open Studio Centre in Canada. Other notable awards include grants and fellowships from the Pollock-Krasner Foundation, Camargo Foundation in France, MacDowell Colony, Art Matters Foundation, New York State Arts Council, Bemis Center for Contemporary Art, Indiana Arts Commission, Confucius Institute, Durfee Foundation, Flemish Ministry of Culture-Frans Masereel Centrum in Belgium, Weiser Center for Emerging Democracies, McColl Center for Visual Arts, Can Serrat International Art Centre in Spain, Virginia Center for the Creative Arts, Kala Art Institute, Valparaiso Foundation in Spain, and the University of Michigan Center for Japanese Studies.Widely exhibited, Poskovic has presented his prints in some of the most prestigious venues for print media, most recently in the 14th Taipei International Print Biennial, and the 2009 Krakow International Print Triennial. He has also shown work in the Egyptian International Print Triennial, La Biennale Internationale d'Estampe Contemporaine de Trois-Rivières in Canada, Deutsche Internationale Grafik-Triennale in Frechen, Tallinn International Triennial in Estonia, Xylon International Triennale in France, and Ljubljana International Graphic Arts Biennale in Slovenia. Comprehensive surveys of Poskovic’s prints have been organized by the Philadelphia Print Center in 2001, the Des Moines Art Center in 2006, the Bemis Center for Contemporary Art in 2007, and again in 2008 by the Frans Masereel Museum in Belgium—which traveled to Stad Leuven Academie en Conservatorium and Atelier Vrije Grafiek, Academie voor Beeldende Kunst-Ghent.Works by Endi Poskovic are in many permanent collections, including the Philadelphia Museum of Art, the Royal Antwerp Museum of Fine Arts, Centre National des Arts Plastiques in Cairo, the Fogg Art Museum—Harvard University, National Taiwan Museum of Fine Arts, New Orleans Museum of Art, Orange County Museum of Art in California, the Kennedy Museum of American Art, the University of Iowa Museum of Art, Des Moines Art Center, Seattle Arts Commission, The Krakow International Print Triennial Society Museum of Art, Tampa Museum of Fine Arts, Vaasa Ostrobothnian Museum in Finland, and the Musée d'Art Contemporain Fernet Branca-Saint-Louis in France.Poskovic is a Professor at the University of Michigan School of Art and Design, as well as at the University of Michigan Center for Russian, East European, and Eurasian Studies.Poskovic’s current series of lithographic prints and animations are a roman à clef reminiscing Mostar, a city with several distinct ethnic communities in Southern Bosnia and Herzegovina. Through faith in the process of drawing, the series offers a personal tale of displacement and discovery.
Lorna Turner is a practicing artist, graphic designer and educator. Since graduating from the Royal College of Art in 2005, where she received her Masters in Communication Art and Design, Lorna has been collaborating in multidisciplinary design environments, from print to web to dimensional spaces. Working with start ups to established firms, Lorna offer the broad scope of marketing materials for each client and each scale of needs.While at the RCA, Lorna organized the lecture series "It's A Man's World?" featuring dynamic female designers, architects, illustrators and theorist. Topics of discussion ranged from their ways of practicing to 'what was their biggest mistake'. In 2004, she designed the winning graphic identity for the Qatar National Museum. In that same year she collaborated with Tom Lucas to design an anti-fur campaign for the Respect for Animals Foundation. They were awarded 'Special Commendation' by the Design Against Fur jury. Her letterpress print illustrations "Blue Red Black" was featured on a cover of Design Week in support of a gallery exhibition.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!