Curtis Bartone's work explores how human beings perceive, define,
and mythologize wilderness and our fragmented view of our place in the environment.
His recent pieces combine various perceptions of the natural world, ranging
from non-objective, scientific views to Judeo-Christian ideas of mankind’s
dominion over “every living thing that moveth upon the earth” to “pagan” views
of natural occurrences as codes or messages to be deciphered. Bartone fuses
Renaissance painting, 17th-century Dutch still life, 19th-century scientific illustration, literature, and collections
in natural science museums, with a contemporary aesthetic informed by
photography and mass media. His work has been shown in 21 solo exhibitions and
in more than 80 group exhibitions in several countries. He has received
numerous grants and awards, including two Illinois Arts Council Grants, and has
been awarded several residencies--most recently, the Emmanuel College Artist
Residency in Boston for the summer of 2016. There, he will be creating a suite
of etchings based on the ten plagues of Egypt. Currently, Mr. Bartone resides
in Savannah, Georgia with his wife and seven cats. He splits his time between
making prints and teaching printmaking at the Savannah College of Art and
Laurie Szujewska (shoe yév skä) is a printmaker, typographer, and graphic designer. She currently is making prints on a letterpress concerning shapes and color. She once worked in the printing trades and lived and played in NYC with the band members of The Chairs while creating graphics for the performing arts venue Roulette during its early years. After completing her MFA in graphic design from the Yale School of Art she moved west to California and worked as a designer and art director at Adobe Systems where she created many awarding-winning graphics and the typeface Giddyup. Abandoning computers she now makes prints using obsolete technology and often teaches at Reed College and UC Davis. Her prints and graphic work have been exhibited in various venues in Europe and the United States and are included in many Artist Book Collections at universities, libraries, and private collections.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe! This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!