Joseph Vorgity is a contemporary realist watercolorist and printmaker. His still life, landscape, and figurative subject matter are recongnized by strong flat areas of color with sharp lines to delineate shapes. Some themes are narrative, others have a surreal quality while many are created primarily for their beauty and visual impact. Some of the figurative pieces are modeled after traditional religious pictures of saints and deities while others are related to figures in Japanese woodblock prints of the early 20th century. His strongest influences come from the American Precisionist Movement, the Arts and Craft Movement, and from Japonisme. A majority of Vorgity's woodblock prints are made in the Provincetown white line style. Multi-color prints are pulled from one matrix block with a white line separating each color shape. The prints area hand rendered with watercolor giving them the visual quality of paintings. Each white line print has an anticipated edition of 50. Vorgity was introduced to the method in 1982 by Ferol Sibley Warthen, a major proponent of the technique in Provincetown. Joseph also produces traditional limited edition multi-color woodblock prints, and Japanese moku hanga woodblock prints. He studied the Japanese technique with Takuji Hamanaka, Matthew Brown, and William Paden. Having first studied advertising and illustration in his home town of Philadelphia, Vorgity moved to New York City in 1978 to attend the painting program at the School of Visual Arts. Don Nice, Don Eddy, and Elizabeth Murray were influential teachers. He holds a BFA from the School of Visual Arts and later received a Master's Degree from Fordham University. Joseph was an educator on the elementary and secondary levels for 18 years. He has also worked for the wardrobe departments of Broadway and Opera productions. He was featured in an article about his woodblock prints in the October 1999 issue of American Artist Magazine.
Rachelle Mark was born in New York and lived in Utah before settling down in Los Angeles. She received her B.A. at UCLA, and both her BFA and MFA at Otis Art Institute. As a longstanding member of the Los Angeles art scene she has had solo shows in galleries in Los Angeles, the San Fernando Valley and Bergamot, and has participated in numerous group shows both in California and internationally. She has permanent work on the 4th floor of the Museum of Tolerance in Los Angeles. She has had numerous commissions, including 6 large-scale paintings for the Library Minyan at Temple Beth Am in Los Angeles, and one for Magic Johnson, of the Los Angeles Lakers, She has taught high school art, and taught at the American Jewish University, and Everywomen’s Village.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe! This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!