Too Close To The Sun

David Avery

http://www.davidavery.net/Intro.html

David Avery continues to exploit the constraints inherent in traditional black and white line etching in his studio in San Francisco for his own suspect purposes. His work is included in the collections of the Library of Congress, the Fogg Museum at Harvard University, the New York Public Library, the Achenbach Foundation for the Graphic Arts, the Stanford University Library among others, and has been noted in the New York Times. Originally trained as a classical musician, he discovered etching almost by accident in a class at the local community college. After learning the basic techniques, he intently pursued his own course of discovery, developing an exceptional technique and creating a remarkable body of finely wrought miniature etchings and drypoints. Even though “black and white doesn’t sell”, he has eschewed the use of color, finding the subtleties and tonalities of black and white most capable of creating the psychological mood that allows his work to be effective.

Born in Redlands, California, Karen is a painter and printmaker who has worked in Los Angeles since l959. Educated at Stanford (BA 1957), Otis (MFA 1959), and UCLA (Painting 1960), her early exhibitions include “Directorʼs Choice” at the Pasadena Art Museum, selected by Thomas Leavitt; “LA and Vicinity,” Los Angeles County Museum of Art; “Current Concerns” at LAICA, curated by Walter Hopps; “Imagination” at LAICA, curated by Llyn Foulkes; “Assemblage and Collage” at LAICA, curated by Hal Glicksman; Grandview Gallery at the Womenʼs Building and “Expo/International” at the Museo del Inah, Oaxaca, Mexico. She has exhibited at the LouWe Gallery, The Brand Library, Boston University, Cal Tech, Cal State Luckman Fine Arts Gallery, Cal Poly Pomona, UC Davis, The Berkeley Art Center, Occidental College, The LA Municipal Art Gallery, The Armory Center for the Arts, the Platt Gallery, San Luis Obispo Museum of Art, and many others. In Spring of 2012, she exhibited monotypes with Linda Lyke in a two person exhibit at Century Books, Pasadena, CA. From l977 to 1997 Karen was Artist-in-Residence (CA Arts Council) and Faculty at Pacific Oaks College where she created the Childrenʼs Art Studio, a multidisciplinary teaching studio for 200 children and student-teachers. Over the years, Karen initiated and developed art programs on several campuses, including Westridge School, and Pasadena Alternative School. Among the art spaces she created, “The Art Studio” at Pacific Oaks is documented in Design Over Time (Stine 1994). Karen was included in the 2010 encyclopedia, L.A. Rising: SoCal Art before1980 (Kienholz 2010). 
More Laps Members 

Our Supporters 

LAPS brought to you in part by
pasadenda art alliance
ifpda
dca