Too Close To The Sun

David Avery

http://www.davidavery.net/Intro.html

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David Avery continues to exploit the constraints inherent in traditional black and white line etching in his studio in San Francisco for his own suspect purposes. Over a period of thirty plus years he has developed a painstaking technique allowing him to create these intricately detailed etchings which involve influences ranging from Albrecht Durer and Francois Rabelais to Max Klinger and Alfred Jarry. His work has been included in over 200 competitive and invitational exhibits which have occasioned several awards, and he is included in the collections of the Library of Congress, the Fogg Art Museum at Harvard University, the Nelson-Atkins Museum of Art, the New York Public Library, the Achenbach Foundation for the Graphic Arts, and the Stanford University Library among others. In addition, his work has been noted in the New York Times, the Boston Globe, and most recently was reviewed in the Washington Post.

Tallmadge Doyle is a printmaker, painter and public artist. Born in New York City, she has lived and worked in Eugene, Oregon, for twenty-­five years.She received her BFA in Drawing from the Cleveland Art Institute and an MFA in Printmaking from the University of Oregon.Recent exhibitions include one person shows at Davidson Gallery, Seattle; Augen Gallery, Portland; and Schrager Clarke Gallery in Eugene. Her work is included in more than one hundred national and international exhibitions and is featured in over forty public collections in the United States and abroad.Tallmadge taught as an Adjunct Professor of printmaking and drawing at the University of Oregon for 15 years and teaches annual workshops at Sitka Center for Art and Ecology.
Moving through the artistic process intuitively and without conscious thought, Colleen Premer taps into her artistic soul to produce balanced and harmonious compositions. This southern California printmaker is lured by the world of monotype and monoprint for the immediacy of results, but she also lends her creative hand to encaustic painting and intaglio printmaking. Colleen is highly influenced by her artist mother, Elaine Kennedy, who was an acclaimed local painter and printmaker. She was exposed to the art world at an early age through her mother’s circle of friends and the many art shows, exhibitions and gatherings they frequented together. Although Colleen has a journalism degree and an M.S. in clinical psychology, her passion for art kept tugging at her heart. She eventually discovered printmaking at the Idyllwild School of Music and the Arts. Ranging from abstracted shapes to intricate design, Colleen’s body of work takes its inspiration from observed line, shape and color. She often contrasts recognizable elements, like a spinning Ferris wheel, with shadowed spheres and elongated patterns. Her creativity doesn’t stop there! Colleen also works with chine colle, image transfer and printers inks for a multi-layered print that is steeped in meaning. Some of her more recent works have embedded excerpts of letters written by Colleen’s mother, creating timeless memories. Always pushing herself to solve a problem from a different angle, Colleen’s work reinvents the familiar to present it in a new and unusual way. Her recent Tattoo Truck linocut relief print boldly presents the cab of a big rig head on. With careful control, Colleen has carved and outlined tattooed flames licking the outer shell of the cab. Rougher cuts add dimension within the image’s background. Colleen’s inspiration largely is drawn from her attraction to the clean lines and human-like features of cars and trucks. Additionally, the methods and history of Japanese printmaking and artistry (including the culture’s unique take on tattoos) intrigue Colleen. The result is extraordinary! Ever changing, always experimenting, creating beauty out of the mundane, Colleen surprises us with a greater level of sophistication every time we see her newest works. And, we would love to share them with you!
The journey to realizing my greatest desire to become a full time artist has not followed a straight path.  A degree in art history from California State University Los Angeles led to a second degree in nursing. Though nursing became my day job, I never stopped nurturing my inner artist with classes in oil painting, mixed media and interior design.Creating art and teaching art is what I always wanted to do.  I became a docent at both the Phoenix Heard Museum and the Phoenix Art Museum.  I continued to study oil painting at the Scottsdale Art School and Botanical Illustration at the Phoenix Botanical Garden.Upon my return to California, I became a docent at the Santa Barbara Museum of Art and given the privilege of time, I am now a full time artist.  I furthered my art and printmaking studies at the SBCC ‘s CLL.  Under the guidance of my mentor, R. Anthony (Tony) Askew, Professor Emeritus of Art at Westmont College, my art career became a reality.  In 2014 I studied “Traditional Etching Techniques” at Crown Point Press in San Francisco and further developed my printmaking techniques with Master Printmaker Michael McCabe in Santa Fe, New Mexico. I participated in workshops with Susan Tibbles, Lennox Dunbar, Professor Emeritus of Aberdeen University in Scotland, and Master Printmaker Ron Pokrasso of Santa Fe, New Mexico.I have been juried into several shows and have collectors as far reaching as Germany, China, and Switzerland.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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