"Art" doesn't literally speak, but instead it can be "a way" of communicating with color, texture, sound and shape. In my artwork, I am careful to remember movement, joy, and mystery, to make viewers feel happy and think about the meaning of my art. I think that expressing how you enjoyed creating is one of the biggest keys to making artwork successful.Each technique of Printmaking has its own distinct character:Silkscreen is a great technique for detailed graphic lines.Etching techniques make pen-drawing prints and different shades or tones.Lithography is a perfect technique to print exactly how you draw.Monotype is a fun technique to create unique prints with brush strokes.My goal is to create prints that have many unique "flavors" within each edition, so viewers can choose the style that fits their tastes.
Anita Hunt's prints are deeply rooted in places
near and dear to her. She studied art at
Antioch College in Yellow Springs, Ohio, and at the School of the Museum of
Fine Arts, Boston. Her copperplate etchings combine traditional methods with
newer, less toxic materials and processes. An active printmaker for more than
30 years, she works in her home studio in rural New England and at Zea Mays
Printmaking in Northampton, MA. Anita is a Past President of the Monotype Guild
of New England and an elected member of the Boston Printmakers, the Society of
Graphic Artists (SAGA) and the Los Angeles Printmaking Society. She exhibits
her work internationally.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!