Sylvia Solochek Walters received her undergraduate degrees in art and her MFA from the University of Wisconsin-Madison. Her woodcuts have been shown in numerous national/international exhibitions and have won many awards – including Honors in 2014 for Tradition in Printmaking from the Southern Graphics Council International at their annual conference in San Francisco. Her prints are held in the collections of the Milwaukee, St. Louis, Oakland and Chazen Art Museums, the Milwaukee and Judah Magnes Museums of Jewish Art, the San Francisco Fine Arts Museums Achenbach Graphic Arts Foundation Collection, the Library of Congress, the New York Public Library and the Museum of Texas Tech University among others. She is currently represented by the Kala Art Institute Gallery in Berkeley and the Annex Galleries, Santa Rosa, California.Walters began teaching in 1963 and subsequently taught relief printmaking, drawing, painting, and related courses at large and small, public and private colleges, art schools and universities in different parts of the country. Eventually, she and her husband, Jim Walters, and their two cats settled in St. Louis, where they both taught at the University of Missouri at St. Louis (UMSL) and where she founded the art department. She became the department's first (and third) Chair as well as its gallery director for 10 years. In 1984, she was invited to become a faculty member and the permanent Chair of the art department at San Francisco State University. With the exception of two years during which time she served as Acting Dean of the College of Creative Arts at SFSU, she remained in that position for twenty years until her working retirement in 2004 after which she taught relief printmaking for five years. Awarded Professor Emerita status in 2009, she currently serves on the Board of the Kala Art Institute. In 2013 she was Assistant Editor (along with editor Maryly Snow) for California Society of Printmakers: One Hundred Years 1913-2013, an award-winning publication produced to celebrate the centennial of the CSP. The book was re-edited and reissued as an e-book in 2015.
Lorna Turner is a practicing artist, graphic designer and educator. Since graduating from the Royal College of Art in 2005, where she received her Masters in Communication Art and Design, Lorna has been collaborating in multidisciplinary design environments, from print to web to dimensional spaces. Working with start ups to established firms, Lorna offer the broad scope of marketing materials for each client and each scale of needs.While at the RCA, Lorna organized the lecture series "It's A Man's World?" featuring dynamic female designers, architects, illustrators and theorist. Topics of discussion ranged from their ways of practicing to 'what was their biggest mistake'. In 2004, she designed the winning graphic identity for the Qatar National Museum. In that same year she collaborated with Tom Lucas to design an anti-fur campaign for the Respect for Animals Foundation. They were awarded 'Special Commendation' by the Design Against Fur jury. Her letterpress print illustrations "Blue Red Black" was featured on a cover of Design Week in support of a gallery exhibition.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!